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| International Contemporary Masters 2010 Part II Jun 19 - Oct. 4, 2010 |
| International Contemporary Masters 2010 Part I Apr 17 - June 5, 2010 |
| International Contemporary Masters 2009 Feb 20 - April 10, 2010 |
| Neo Action Abstraction ... Oct 6, 2009 - Dec 25, 2009 |
| The Barbizon School Collection Jan 6 - May 6, 2009 |
| Fall Art Affair Nov 7 - Dec 30, 2009 |
| Spring Art Affair May 9 - Ju 10, 2009 |
| Revealing Women Redux ... Jan 5 - Apr 15, 2009 |
| Contemporary Asian Art Retrospective May 9 - Oct 10, 2009 |
| 20th Century Modern Masters Works on Paper Oct 15 - Dec 30, 2008 |
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May 9 through October 10, 2009
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| GEISHA Iwasaki Takuko |
During the past decade a growing interest in contemporary
works of art from/and/or by artists of Asian heritage has gained validity and acceptance in the wider art world. Modern Asian
Art is more "pluralistic" with no prevailing style or universally accepted set of aesthetic criteria by which to
make discrininations. This pluralism makes it difficult to define or maintain aesthetic hierarchies with respect to
what we call contemporary Asian Art. One criteria - the concept of newness - a variant of originality, is more significant
than finding some "oriental" influence in the work. Younger Asian artists incorporate, blend and fuse traditional
Western Art concepts and images to the point where it is difficult to determine what, if any, "Asian" qualities
define their work. Some of these artists have broken free of decades of isolation and artistic oppression, escapiing the shadow
of the Cultural Revolution. Others, whether expatriated, living in Asia and able to travel abroad, or as second-generation
citizens of Asian origin, these artists have adapted styles and techniques that embrace a wide variety of social, ethnic and
cultural traditions. They have been able to blen Asian and more traditional Western cultural elements in unique ways
to express their own artistic visions.
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| WIND BLOWING THROUGH THE VALLEY Keiko Ishigaki |
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